Christian has left the house after the news, to get drunk and hang out with his old mistress, Elena (played by Kim Basinger, though we don’t get to see her this time), and Ana is enraged. The scene happens after Ana has discovered she is pregnant, and, somehow, Christian doesn’t seem that thrilled to start a family, given that he is likely a sex addict with incredibly severe issues regarding parenting and his traumatic childhood experiences.
Maybe it’s because it was the final film, maybe it’s because Christian and Ana are pretty happy now, but Fifty Shades Freed feels like James had to reach a bit more strenuously for its themes-the results are even more outlandish than its predecessors. This panoply of outlandish moments-essentially a vessel through which to deliver gorgeous homes and bodies (which could be the name of a new magazine edited by Ana at Seattle Independent Publishing, incidentally)-is what will make Fifty Shades lovers feel right at home, as they work to mentally stitch together the fan fiction–generated feel of the movie. and angry ex-coworkers, orphanage mysteries, car chases, abductions, and piano serenading, obviously. (Actually, that might be the thing that disappoints, if anything.) In this third and last movie, Anastasia Steele ( Dakota Johnson) and Christian Grey (Jamie Dornan) are married, and, true to life, they have less time for their red playroom and more time for conversations about child-rearing, home improvement, work.
#Fifty shades of grey clip series
James’s Fifty Shades film franchise, arrives in select cities today, and the honeymoon phase will not disappoint those fans of the series who have come to expect over-the-top mid-century modern interiors, lavish transportation, chiseled abs, bared nipples, and light BDSM. Fifty Shades Freed, the final installment of E.L.
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